“Improvisation is almost like the retarded cousin in the comedy world. We've been trying forever to get improvisation on TV. It's just like stand-up. It's best when it's just left alone. It doesn't translate always on TV. It's best live.”
“You tell somebody you're an improviser and they think you're doing Random Acts of Comedy and it's just like, a bastardization of what I think is the purest form of art. People still don't get it, they still don't understand that...well, number one, it's hard to prove to people that you're improvising when you're on TV. They don't believe it.”
“I.O. was kind of like comedy high school. Everybody knows each other, dated each other, performed together, lived together - so there's a lot of history among a lot of people.”
“It is completely improvised. We have had no meetings backstage, we have not written anything, and everything you see onstage tonight is being made up on the spot,”
“I also think if you're an actor and you can improvise, when you go on an audition and you can improvise you're just a genius. If you can, you know, take a Tide commercial and you can just say one funny line that's not in the commercial they think you're a genius.”
“I think the idea of ensemble should really be re-enforced and that's staying with the same group of people. In college troupes the turnover can be so fast and so furious that you don't ever really get to develop as a group, like who has different roles in the group and how is it working with all these people. I think people need to be encouraged to stick together.”
